Selected Works

Outside (September 2014)
Orion (Jul/Aug 2013)
Outside, Nawakum Press (March 2013)
Kyoto Journal 75, September 30, 2010
Portland (Winter 2008).
Selected for Best American Essays 2009.
Memoir of Lopez's childhood in California's San Fernando Valley. Nominated for a Pulitzer Prize in feature writing, 2002. (LA Weekly, January 11-17, 2002)
Short Fiction
Manoa (January 2011)
Orion (Jul/Aug 2010)
Orion (Jan/Feb 2010)
TriQuarterly #133
Nonfiction Books
With an Introduction by Barry Lopez (Trinity University Press 2006)
25th Anniversary Edition with a new Afterword by BL. Photographs and marginalia throughout. (Scribner 2004)
Interviews by BL
BL talks with Oren Lyons, Orion (January/February 2007), Manoa (August 2008), and Resurgence (September/October 2008).
Short Story Collections
Nine interrelated stories. H.L. Davis Award for Short Fiction 2005 (Knopf 2004, Vintage 2005)
Thirteen stories, including "Stolen Horses," "The Letters of Heaven," and "The Mappist." (Knopf 2000, Vintage 2001)
Retold tales of Coyote as trickster and sage, from the traditions of Native America. (Andrews and McMeel 1978, Avon 1981)
Interviews of BL
Michigan Quarterly Review (Fall 2005), Georgia Review (Spring 2006), and in No Bottom: In Conversation with Barry Lopez (2008) and Conversations with Barry Lopez: Walking the Path of Imagination (2013).
This collection includes five essays and an excerpt from Arctic Dreams in addition to six short stories. (Vintage 2004)

"A Scary Abundance of Water"

A few hours after the Japanese blitzkrieg at Pearl Harbor, a Czech national, a combat pilot who'd been shot down over the French Alps in 1918 by a German flying ace, rapped briskly at the door of an apartment in Birmingham, Alabama. A handsome young woman answered. The man, dapper in a linen suit, ushered himself in, courteously acknowledging another woman in the room, and came straight to his point. He was afraid they hadn't heard what had just happened, far out in the Pacific. More precisely, he wasn't sure either of them understood how dramatically different everything was now going to be.

The anxious messenger with his intuition of upheaval was an artist, a muralist and portrait painter, as well as an aeronautical engineer, working then on the wing design of the B-24 bomber for Bechtel-McCone. A fused neck from the WWI air crash, his French schooling and cosmopolitan clothes gave him a slightly aristocratic air, dubious in the Deep South of 1941. The person who opened the door was currently one of his fine-art students. The other woman, an attractive writer for The Birmingham Post, a stylish dresser with raven-black hair, 14 years his junior, was his former wife. The women, both divorced native rural Alabamians, were as controversial—then—as he was.

In a matter of weeks the writer, with a yearning for the broader world, would marry a businessman not yet divorced and move with him to Mamaroneck, a suburb of New York City. In the winter of 1945, before the holocausts occurred at Hiroshima and Nagasaki, I would be born to her and three years later there would be another son. Her Birmingham roommate and best friend, Esther Kelton, would also choose a second husband and move with him to Southern California, where he planned to join the Navy and fight in the Pacific. The artist, Sidney Van Sheck, with a slew of patents and work on the B-29 and the first satellites still ahead of him, would remain in Birmingham. In a year or two he would marry another one of his art students.

Excerpt is the first few paragraphs of the essay. Read complete text at LA Weekly.

Contents © 1966 to current, by
Barry Holstun Lopez. All Rights Reserved.

BL and his mother, Mary, in Reseda, California, about 1949.