"Landscapes of the Shamans"
The essay "Landscapes of the Shamans" appears in the July/August 2013 issue of Orion. BL speculates here that in recent years a new and fundamentally different view of wild animals has emerged in art. Accompanying the essay are illustrations of the work of installation artist Jane Alexander, photographers Lukas Felzmann, Frans Lanting, Wayne Levin, and Susan Middleton, painter Tom Uttech, and artists Sylvie Rosenthal and Rick Bartow.
Afterword in Outside
In early March 2013, Nawakum Press published a fine press limited edition collection of six of Barry Lopez's stories, two each from Desert Notes, River Notes and Field Notes. The book, called Outside, was designed and illustrated by Barry Moser and includes an Introduction by James Warren and an Afterword by BL, in addition to a four-panel visual meditation on the stories by Mr. Moser. In his Afterword, BL describes how Desert Notes, River Notes and Field Notes came to be published, and the role of Jim Andrews in that process.
"Sliver of Sky: Confronting the Trauma of Sexual Abuse"
Barry Lopez has an essay in the January 2013 issue of Harper's entitled "Sliver of Sky: Confronting the Trauma of Sexual Abuse." It’s a first-person account of how he was sexually abused by a predatory pedophile for almost four years when he was a boy growing up in Southern California. The first few paragraphs are available online; the entire essay is available by purchasing a copy of the magazine or by subscribing and accessing it online.
"The Museum of Game Balls"
This short story appeared in the January 2011 issue of Manoa. A self-assured World War II historian, Mr. Balewa, uses deception to secure an audience with a wealthy and reclusive Burmese businessman rumored to have betrayed his people during World War II. Mr. Balewa quickly finds himself in over his head with a worldly, powerful, manipulative, and psychopathic personality.
"Six Thousand Lessons"
This short essay appeared in Kyoto Journal 75, September 30, 2010. In it, BL explores diversity as a general principle. He recounts his many years of experience with different human cultures and in different geographic settings, and comes to the conclusion that to regard diversity as characteristic of robust ecosystems and human cultures is to miss its fundamental importance in both these spheres. Diversity, he argues, is not so much a characteristic of life but a condition necessary for life. Without diversity, human cultures founder and ecosystems collapse. The essay is available on the journal's website.
"A Dark Light in the West: Racism and Reconciliation"
"A Dark Light in the West: Racism and Reconciliation" appeared in The Georgia Review's Fall 2010 issue. In the essay, BL traces his own experience with racism in southern California and New York City prior to his moving to Oregon in 1968 and his subsequent experience as a resident of Oregon. The piece elucidates a long history of racism in Oregon, from the murder of 31 Chinese miners at Deep Creek in 1887 to sundown laws that remained on the books in the 1960s and the failure of the state to ratify the 14th Amendment (1866) to the Constitution until 1973. This work was commissioned for The Manner of the Country: Living and Writing the American West, edited by Russell Rowland and Lynn Stegner, which will be published in the fall of 2011 by the University of Texas Press.
"Dixon Marsh," a short story, appears in Orion's July/August 2010 issue and also in the on-line journal, Places. "Dixon Marsh," set in Nevada's Sierra mountains, follows a sexually-abused epidemiologist's journey to a mountain lake and a turning point in her life.
"An Intimate Geography"
An essay by BL, “An Intimate Geography,” appears in the Summer 2010 issue of Portland magazine. In it, BL writes about our capacity for intimacy and how intimacy with a landscape can lead to a deeper awareness of the numinous dimensions of that place. He draws on travels to Afghanistan, China, Antarctica, the Canadian High Arctic, Spain, and Australia to make his point, and offers a description of intimacy with his home landscape in the Cascade Mountains of western Oregon. The essay was selected for Best Spiritual Writing 2011.
The very short short story, "The Trail," appears in Orion's January/February 2010 issue. Originally written for 350.org, co-founded by Bill McKibben, this piece about the obligations of restraint strictly adheres to a 350 word limit. 350 parts per million carbon dioxide in our atmosphere is the upper limit beyond which, scientists say, the damage the Earth is sustaining will accelerate. Dave Eggers selected "The Trail" for Best American Nonrequired Reading 2010. Paul Moxon of Fameorshame press designed, printed, and assembled a limited edition broadside of "The Trail" while he and BL were at the Penland School for Crafts in November 2011.
"On the Border"
In “On the Border,” which appears in the Fall 2009 issue of The Georgia Review, BL writes about his preference for exploring the world’s physical edges rather than its cultural centers. The setting for the piece is Antarctica’s Weddell Sea during a few days in the austral winter of 1992. BL was aboard the Nathaniel B. Palmer at the time, an ice-breaking research vessel and the first ship to enter the Weddell Sea in winter since Sir Ernest Shackleton’s Endurance was crushed there in 1915. (BL wrote an essay about the entire voyage, called “Offshore,” for the Winter 1994 issue of Orion magazine.) The essay also includes a brief description of a visit BL made to Banda Aceh in northern Sumatra in the wake of the 2005 Boxing Day tsunami.
"The Call from the Future"
When O, The Oprah Magazine decided to publish a special section on the greening of American society in its April 2009 issue, the editors asked BL to write an introduction for it. Entitled “The Call from the Future,” page 156, the introduction is based on ideas one of the editors heard BL present when he delivered the keynote address at the Whiting Awards Ceremony for emerging writers in New York in October 2008.
When Donna Seaman was invited to guest edit Issue #133 of TriQuarterly, she contacted BL to see if he would contribute a story. He sent her “Hidian,” a new short story about a wayward businessman. It appears in the issue on pages 79-84.
BL began traveling to Australia in 1987 and has since visited all its states, including Tasmania. At the request of The Wilderness Society of Australia he wrote an essay for their 2009 calendar. “Emancipation” treats efforts to protect wild lands as a form of emancipation, following on the themes of other emancipation efforts in the eighteenth and nineteenth centuries.
"Madre de Dios"
Brian Doyle, the editor of Portland magazine, asked BL to create a written version of a story BL had told him some years before about rescuing sea lions which had been trapped illegally in a net in the Galápagos Islands. Doyle wanted the essay for an issue of Portland magazine he was devoting to material about the Blessed Mother and he had recalled that her presence played some role in the rescue. To recount the event effectively, BL introduces it with a history of his Roman Catholic upbringing. The essay closes with the description of another event, in BL’s childhood, in which the Blessed Mother is the paramount figure, a wrenching memory few people outside BL’s family and closest friends have ever heard. The article was selected for Best American Essays 2009 and it also received an award from the American Council for the Advancement and Support of Education.
Guest Editor, with Frank Stewart, Maps of Reconciliation and Gates of Reconciliation
In Maps of Reconciliation: Literature and the Ethical Imagination [Manoa 19:2] and Gates of Reconciliation: Literature and the Ethical Imagination [Manoa 20:1], fiction writers, poets, essayists, indigenous peoples, veterans of war, and our elders speak about the most compelling question of our time: how we are to imagine a future of mutual tolerance, respect, and justice–especially for those whose cultures are being eroded by political and economic superpowers.
The international voices in these two volumes come from India, North Korea, rural China, Chile, Peru, South Africa, Italy, Palestine, Israel, Australia, the native Hawaiian community, the Native American community, and elsewhere.
A multitude of questions and hopes fills these pages from writers and artists who suggest various paths to reconciliation. Three portfolios of photographs by Franco Salmoiraghi depict exemplary struggles for reconciliation by Native Hawaiians in Maps of Reconciliation. The photographs of Linda Connor and Kate Joyce grace Gates of Reconciliation.
Introduction to The Future of Nature
Working with the editors of Orion magazine, BL selected essays and interviews to be included in The Future of Nature and then wrote the anthology's Introduction. Here are Ginger Strand on Niagara Falls, Derek Jensen on moving past "hope" as a goal, and Mark Dowie on how some international conservation efforts have created a class of human refugees. Essays by Wendell Berry, Rebecca Solnit, Bill McKibben, David James Duncan, Sandra Steingraber, and 21 other writers, along with interviews of Oren Lyons (by BL) and Van Jones, round out the collection.
Home Ground: Language for an American Landscape, edited by Barry Lopez and Debra Gwartney
Home Ground is a landmark work of language, geography, and folklore. The editors brought together forty-five poets and writers from across the country to create more than 850 original definitions for terms like cutbank, flatiron, yazoo, monadnock, hollow, kiss tank, gulch, birdfoot delta, detroit riprap, swale, trace, and paternoster lakes. Drawing on careful research, the writers used their own distinctive stylistic, personal, and regional approaches to portray the striking complexity of the landscapes we inhabit, from Missouri's woody draws to Virginia's runs, from the desire paths of cities to the rondes of Midwestern farmlands, from California's bajadas to Alaska's pingoes and Hawai'i's volcanic expanses of pahoehoe. The intent behind the work of this diverse group of writers was to revitalize our sense of intimacy with place. An advisory board reviewed each of the definitions for accuracy. With black-and-white line drawings by Molly O'Halloran, Introduction by Barry Lopez, index, and bibliographic note.
Written in the form of a diary over seven days, the primary focus of this essay is BL's visit to Auschwitz in the days following the launch in Paris of the French edition of Resistance. The diary appeared in a weekend edition of the French national paper Libération as "Une phrase de Primo Levi." A fine press limited edition, in English, entitled ¡Nunca Más!, was published in September 2007 by Red Dragonfly Press.
"Eden Is a Conversation"
In May of 2006, more than 500 people from 40 countries gathered in Ubud, Bali, Indonesia, to participate in Quest for Global Healing, a determined effort to address pressing social and economic problems around the world. Among the speakers were Archbishop Desmond Tutu; two other Nobel peace laureates, Betty Williams, and Jody Williams; Gus Dur, the leader of Indonesia's 45 million Muslims; Fatima Gailani, head of Afghanistan Red Crescent; Thai political activist Chaiwat Thirapantu; Bhutan's minister of Labour and Human Resources, Lyonpo Ugyen Tishering; and BL, who delivered an opening address. This is his closing talk.
"The Leadership Imperative: An Interview with Oren Lyons by Barry Lopez"
This interview appears in the January/February 2007 issue of Orion magazine, in the Winter 2007 issue of Manoa, and in the September/October 2008 issue of the British periodical Resurgence. Lyons is a Faithkeeper of the Turtle Clan among the Onondaga people of western New York, and he sits on the Council of Chiefs of the Haudenosaunee, or the Six Nations as they are sometimes called. The recipient of many national and international awards, Oren Lyons has been a defining presence for more than three decades on international indigenous rights and sovereignty issues.
BL wrote the introductory essay to Emily Ballew Neff's The Modern West: American Landscapes 1890-1950, the 315-page illustrated catalog created for an exhibit of the same name. The show opened at the Museum of Fine Arts, Houston, in 2006, and later went to the Los Angeles County Museum of Art. In a 3-part essay, Lopez addresses the singularity of the western American landscape; the massacres of native people that took place at Washita, Bear River, Sand Creek and elsewhere, and which are part of the obscured history of the West; the literature of the American West; and symbolic and realistic elements in the paintings and photographs in the exhibit Ms. Neff curated.
In this work of fiction, nine men and women, all of whom went to college together in the `60s, tell separate but interrelated stories of the struggle to lead a meaningful life. Most have been world travelers and, in the moment these stories are told, are living in widely separated parts of the world--rural Hokkaido, Paris, Buenos Aires, the Brazilian jungle, Dar es Salaam, Mindanao, and Kashgar. Each one has received the same threatening letter from an ominous agency called Inland Security, in which they learn their artistic and scholarly activities have been classified as a threat to "democracy." They decide to go underground but leave behind for their pursuers these nine stories.
With nine monotypes by Alan Magee.
Light Action in the Caribbean
The stories in this collection are set in the southern California of the author's childhood, in North Dakota, the geographical setting for a number of the author's earlier stories, in his home landscape in the Pacific Northwest, and in the Middle East.
Introduction to The Best American Spiritual Writing 2005
Lopez’s introduction to The Best American Spiritual Writing 2005, edited by Philip Zaleski, is largely a reflection on the meaning of the cardinal virtue of reverence. It is set in several geographical locales, including the La Gorce range in the Transantarctic Mountains, the paleolitihic cave called Altamira, and the Pahranagat Valley in southeastern Nevada.
Interviews of BL
Four interviews with BL have appeared since Fall 2005. "The Big Rhythm: A Conversation with Barry Lopez on the McKenzie River," conducted by Michael Shapiro, was published in Michigan Quarterly Review, Fall 2005 [44:4], pages 583-610 and later excerpted in The Sun, June 2006 [Issue 366], pages 4-12, as "Against the Current."
Northwest Review published "Interview with Barry Lopez" in its Spring 2006 [44:2] issue, pages 96-116. Conducted by William E. Tydeman, it is excerpted from the second of Tydeman's long interviews with BL. (The first appeared in the First Frost 2003 [5:1] issue of Iron Horse Literary Review, pages 42-67.) The Northwest Review interview is accompanied by Diane Warner's selected, annotated bibliography of more than a hundred of BL's uncollected essays, stories, forewords, introductions, and book reviews. The annotations are based on her conversations with BL.
"On Resistance: An Interview with Barry Lopez," conducted by Christian Martin, was published in The Georgia Review, Spring 2006 [60:1], pages 13-30.
Most recently, Mike Newell published No Bottom: In Conversation with Barry Lopez, a book about BL's fiction which includes a 41-page interview.
"Waiting for Salmon"
This essay was written in response to a request from Granta for a personal reflection on global warming and climate change. Lopez focuses his thoughts on the changing numbers of spring chinook salmon he's watched spawning in front of his McKenzie River home for the past 35 years. The essay indicts the media for their complicity in the general pattern of diminishment and denial that distinguished the Bush Administration's reaction to these international issues. In an attempt to simplify or dismiss scientific research that doesn't serve the overall goal of economic growth, the Administration and the media pursued economic and theocratic, rather than democratic, solutions to the problem. The piece closes with Lopez wondering how to explain these issues to his two-year-old grandson, whom he takes regularly to salmon spawning grounds near his home.
One of twelve readers published by Vintage in 2004 as "introductions to some of the great modern writers, presented in attractive, affordable paperback editions." Other volumes in the series include work by Martin Amis, James Baldwin, Sandra Cisneros, Joan Didion, Richard Ford, Langston Hughes, Alice Munro, Haruki Murakami, Vladimir Nabokov, V.S. Naipaul, and Oliver Sacks. The Lopez volume includes the essays "Landscape and Narrative," "Flight," and "Learning to See," the short stories "The Letters of Heaven," "The Mappist," and "The Entreaty of the Wiideema," and six other essays and stories.
"A Scary Abundance of Water"
Lopez writes in this essay about his early childhood in Southern California's San Fernando Valley. The cultural history of this region – after Mulholland brought water to it in 1913 from Owens Valley – and the area's geography provide the context for a childhood that included, in addition to raising pigeons and an enthrallment with nature, a prolonged period of traumatic sexual abuse. In "returning home," Lopez finds that, despite the Valley's apparent ruination by subdivisions, the automobile, and "venal dreams of wealth...[,] its spirit remains intact." The memoir, three times as long as any piece previously published by LA Weekly, was nominated by the paper for a Pulitzer Prize in feature writing in 2002.
About This Life
Lopez reads from all three sections of this book. The first section includes essays set outside North America, the second contains essays from his home continent, and the third comprises a selection of memoirs. The recording was one of three finalists for the 1998 Audi Award for Best Abridged Nonfiction recording.
Giving Birth to Thunder, Sleeping with His Daughter
BL's first book (not published until 1978, however, after Desert Notes), written while he was a student of Barre Toelken, one of the foremost modern scholars of Native American literature. To evoke a sense of the Trickster figure, a Paleolithic character found in the oral and written traditions of apparently every human culture, BL researched hundreds of versions of archetypal stories in translation, all anchored in the physical landscapes of North America and in the traditions of its First Peoples. These 68 stories from 43 traditions reveal the complexity of a character that reverberates with both classical renderings of the Trickster, such as Mercury and Loki, and with contemporary incarnations such as Ken Kesey's Randall P. McMurphy in One Flew Over the Cuckoo's Nest and Wile E. Coyote in Road Runner cartoons.
Of Wolves and Men
Twenty-fifth Anniversary Edition
Lopez draws on a wide range of natural history, field studies, social history, traditional knowledge, and his own personal experience with captive and free-ranging wolves in Of Wolves and Men to illuminate the fundamentally mysterious and complex nature of this maligned creature. This is a landmark work that received the John Burroughs Medal for natural history writing, the Christopher Medal for humanitarian writing, and other honors. The twenty-fifth anniversary edition, with a new Afterword by the author, is available in both paperback and hardcover editions. (Scribner 2004)
Updated 22 May 2012
Contents © 1966 to current, by
Barry Holstun Lopez. All Rights Reserved.